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MICHAEL FABIANO,

tenor

A graduate of the University of Michigan, ten-

or Michael Fabiano was a grand-prize winner

of the Metropolitan Opera National Council

Auditions in

, the class that became the

subject of the documentary

e Audition

. He

subsequently won the grand prize of the Gerda

Lissner Foundation in

, and in

he be-

came the rst singer to receive both the Richard

Tucker Award and the Beverly Sills Artist award

in the same year. Fabiano began the

/ con-

cert season appearing as Rodolfo in the Royal

Opera at Covent Garden’s new production of

Puccini’s

La bohème

, a role he reprised at the

Met. He made his role debut as Des Grieux in

Massenet’s

Manon

at San Francisco Opera in the

fall, and he recently completed his Los Angeles

Opera debut appearances as the Duke in Verdi’s

Rigoletto

, which he also performed at the Royal

Opera. Additionally, Fabiano sang at the Met as

Edgardo in Donizetti’s

Lucia di Lammermoor

,

the role that occupied his return to Opera Aus-

tralia over the past month.

ree years ago, he

was awarded Australia’s Helpmann Award for

Best Male Performance in an Opera for his por-

trayal of Gounod’s titular Faust, the role that was

the vehicle for his Houston Grand Opera debut

in

. Fabiano’s recent highlights also include

his debut with the Royal Danish Opera as a so-

loist in Verdi’s Requiem, a program of Italian

masterworks with the San Francisco Sympho-

ny, appearing as Jean in Massenet’s

Hérodiade

with Washington Concert Opera, making his

role debut as Don José in Bizet’s

Carmen

at the

Aix-en-Provence Festival, and returning to the

Met as a featured performer in the company’s

th anniversary gala at Lincoln Center. He has

also taken bows with such opera companies and

houses as La Scala, Madrid’s Teatro Real, Par-

is National Opera, Dresden Semperoper, and

Deutsche Oper Berlin, as well as the Cleveland

Orchestra, Los Angeles Philharmonic, Philadel-

phia Orchestra, Oslo Philharmonic, and Vienna

Symphony Orchestra. Michael Fabiano is mak-

ing his Ravinia debut.

7:30 PM SATURDAY, AUGUST 11, 2018

PAVILION

CHICAGO SYMPHONY ORCHESTRA

JAMES CONLON,

conductor

NADINE SIERRA,

soprano

MATTHEW POLENZANI,

tenor

ROSSINI

Overture to

e Barber of Seville

DONIZETTI

“Lucia, perdona” from

Lucia di Lammermoor

Nadine Sierra, Matthew Polenzani

ROSSINI

Overture to

Semiramide

ROSSINI

Passo a sei (Act I ballet) from

William Tell

*

DONIZETTI

“Il dolce suono” (Mad Scene) from

Lucia di Lammermoor

Nadine Sierra

DONIZETTI

“Tombe degli avi miei” (Final Scene) from

Lucia di Lammermoor

Matthew Polenzani

ROSSINI

Overture to

William Tell

*

First performance at Ravinia

Supertitles by Franceso Milioto

Tonight’s concert is performed

in memory of Howard A. Stotler

.

AUGUST 6 – AUGUST 12, 2018 | RAVINIA MAGAZINE

113