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LADY JEANNE GALWAY,

flute

Born in New York, utist Lady Jeanne Galway is

a graduate of the Mannes College of Music and

has regularly been a soloist in the US with the

orchestras of Chicago, Philadelphia, Pittsburgh,

Seattle, and Denver, as well as the National

Symphony Orchestra in Washington, DC. She

has also given many concerts internationally,

including in London, New York, Milan, Rome,

Vienna, Salzburg, Zurich, Dublin, Belfast, To-

kyo, Beijing and Singapore, o en appearing

alongside her husband and fellow utist Sir

James. Galway is also an accomplished chamber

musician, touring regularly with pianist Jona-

than Feldman and cellist Darrett Atkins as the

Zephyr trio. e trio’s album

Zephyr—Winds of

Romance

combines works by Haydn, Martinů,

and Weber, and the group also recently pre-

miered a new work by Lowell Liebermann, com-

missioned by Sir James. Lady Jeanne Galway has

also made recordings for RCA Victor, BMG

Classics, and Deutsche Grammophon that have

received critical acclaim. With her husband,

she has been awarded

Irish America

Magazine’s

“Spirit of Ireland” award in recognition of

their services to music. Galway devotes much of

her time to working with younger generations,

including the -day Galway Flute Festival in

Switzerland, during which she o ers advice on

both performance and career management. Her

concert engagements have included fundraising

events for such organizations as UNICEF, SOS,

FARA, and Marie Curie Cancer Care, and she is

also a supporter of the Duchess of Kent’s Future

Talent charity. Tonight marks Lady Jeanne Gal-

way’s seventh appearance at Ravinia, where she

rst performed in

.

SIR JAMES GALWAY,

flute

Born in Belfast, Ireland, Sir James Galway stud-

ied music in London and Paris before beginning

his career as an orchestral utist. Prior to his

principal-chair appointment in the Berlin Phil-

harmonic under Herbert von Karajan, he was a

member of the Sadler’s Wells and Royal Opera

House at Covent Garden Orchestras, as well as

the London Symphony and Royal Philharmonic

Orchestras. Since

, Galway has focused his

attention on a solo career that has included a

long list of orchestras, conductors, and cham-

ber-music collaborators. Not just an interpreter

of the classical repertoire of Bach, Vivaldi, and

Mozart, he also regularly performs contem-

porary works, including many commissioned

by or for him from such composers as Mark

Adamo, Elaine Agnew, David Amram, William

Bolcom, John Corigliano, Philip Hammond,

David Heath, Lowell Liebermann, and Lorin

Maazel. At his

Ravinia appearance, he gave

the US premiere of a concerto by

Riverdance

’s

Bill Whelan,

Linen and Lace

, with the Chicago

Symphony Orchestra. In

, Galway launched

the “First Flute” interactive online series, which

comprises lessons for beginning ute students

of all ages, ranging from instrument basics to a

“practice room” with downloadable sheet mu-

sic to concert footage. He also holds the -day

Galway Flute Festival with his wife, Lady Jeanne,

in Switzerland in addition to numerous other

classes they give annually. Galway’s discography

includes more than albums, including not

only his regular concert repertoire but also the

soundtracks to the

Lord of the Rings

lm trilogy

and

O’Reilly Street

with the Cuban timba group

Tiempo Libre, with whom he performed at Ra-

vinia in

. In addition to being named to the

Order of the British Empire in

and con-

ferred knighthood in

, he has received the

Grammy President’s Merit Award (

) and

lifetime achievement honors from the Classic

Brits (

), Hollywood Bowl (

), National

Concert Hall of Dublin ( ), and

Gramophone

(

). Sir James Galway rst performed at Ra-

vinia in

and is making his th season ap-

pearance at the festival.

fantasies on “In dulci jubilo” and “I Saw

ree

Ships,” arrangements of the beloved Irish tune

“Danny Boy,” and excerpts from Handel’s

Xerx-

es

, as well as the original composition

Galway

Fair

, which the Pittsburgh Symphony Orchestra

premiered in September

. Overton also has

fashioned duo- ute repertoire for Sir James and

Lady Jeanne Galway, including an arrangement

of Mozart’s

Rondo alla turca

and a Mozart pas-

tiche entitled

e Magic Flutes

.

e Irish Folk

Songs include three traditional tunes arranged

for ute and piano (“Spinning Wheel,” “She

Moved

rough the Fair,” and “ e Star of the

County Down”) and one for ute duo and piano

(“Lanigan’s Ball”).

FRANZ DOPPLER (1821–83)

Andante and Rondo, op.

Franz Doppler was the most distinguished

member of a family of Polish-Hungarian mu-

sicians. His father Joseph, an oboist in Warsaw

and Vienna and a composer, taught Franz to

play ute. Younger brother Karl also became

a respected utist, conductor, and occasional

composer. Karl’s son Árpád developed into a

top-ranking pianist who taught at the Stuttgart

Conservatory and brie y at the Grand Conser-

vatory in New York City.

Franz made his public recital debut at age .

Four years later, he joined the German

eater

in Pest as principal utist and subsequently

held the same position with the Hungarian Na-

tional

eater. During these Hungarian years,

Franz composed numerous ethnically inspired

compositions, including operas, orchestral and

chamber works, piano music, and orchestral

transcriptions of Liszt’s Hungarian Rhapsodies.

Franz moved to Vienna in

as principal ut-

ist of the court opera orchestra and conductor

of the opera ballet. He became professor of ute

at the Vienna Conservatory in

, continuing

to write operas and ute compositions, such as

the Andante and Rondo, op.

, for two utes

and piano.

PIETRO MORLACCHI (1828–68)

Il pastore svizzero: Fantasia originale

Italian utist and composer Pietro Morlacchi

has become a rather obscure gure, save for a

handful of operatic fantasies featuring wind

instruments. Having grown up in the Lainate

commune of greater Milan, Morlacchi entered

the Milan Conservatory in

and studied un-

der the tutelage of Giuseppe Rabboni until his

graduation in

.

at same year, Morlacchi

composed his most performed work,

Il pastore

svizzero

(

e Swiss Shepherd

), a brilliant fanta-

sy, or set of variations, on an original theme for

ute and orchestra or piano.

–Program notes ©

Todd E. Sullivan

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