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RYAN SPEEDO GREEN,

bass-baritone

A native of Virginia, Ryan Speedo Green will

receive the Marian Anderson Vocal Award

this fall. He was a winner of the Metropolitan

Opera National Council Auditions in 2011 and

recently completed training in the company’s

Lindemann Young Artist Development Pro-

gram, also earning a George London Founda-

tion Award, an Annenberg Foundation Grant,

and first prize in the Gerda Lissner Foundation

Competition all in 2014. He has also been a re-

cipient of both Richard and Sara Tucker Grants

from the Richard Tucker Foundation, and he

holds a master’s degree from Florida State Uni-

versity and a bachelor’s degree from the Hartt

School of Music. Green is the subject of the 2016

bestselling biography

Sing for Your Life

, which

chronicles the singer’s journey from juvenile

detention to the Met stage. Over the past year,

Green alighted to the iconic New York stage in

his role debut as Oroe in Rossini’s

Semiramide

and returned to Vienna State Opera for his

fourth season as an ensemble member, appear-

ing in such roles as Fasolt in Wagner’s

Das Rhe-

ingold

and Sparafucile in Verdi’s

Rigoletto

. Last

season he made role and house debuts as Esca-

millo in Bizet’s

Carmen

with Opera San Antonio

and Osmin in Mozart’s

Abduction from the Se-

raglio

with Houston Grand Opera. Green’s Met

credits also include the Puccini roles Colline in

La bohème

, the Mandarin in

Turandot

, and the

Bonze in

Madama Butterfly

, as well as Rambo

in the company premiere of John Adams’s

The

Death of Klinghoffer

. He will return to its stage

next season as the King in Verdi’s

Aida

and to

Vienna as Sarastro in Mozart’s

The Magic Flute

among other roles. On the concert stage, Green

has been a soloist with the Los Angeles Philhar-

monic and Philadelphia Orchestra in Beetho-

ven’s Ninth Symphony, the Boston Symphony

Orchestra in Walton’s

Belshazzar’s Feast

, and the

Cleveland Orchestra in R. Strauss’s

Daphne

, as

well as at the Brevard Music Festival in Verdi’s

Requiem. Ryan Speedo Green made his Ravinia

debut last summer and tonight returns for his

Chicago Symphony Orchestra debut.

CHICAGO SYMPHONY CHORUS

The Chicago Symphony Chorus’s storied history began in September 1957, when the Chicago Sym-

phony Orchestra announced that Margaret Hillis, at music director Fritz Reiner’s invitation, would

organize and train a symphony chorus. In March 1958 the Chicago Symphony Chorus made its sub-

scription concert debut performing Mozart’s Requiem with Bruno Walter conducting. A few weeks

later, Reiner himself led the CSC for the first time in performances of Verdi’s Requiem. Since then

the chorus has performed and recorded virtually all the major works in the choral symphonic rep-

ertoire and given world premieres of works by Ned Rorem, John Harbison, and Bernard Rands, also

appearing with visiting orchestras and being a part of many milestones in the CSO’s history. In June

1994, Duain Wolfe was appointed the second director of the CSC, succeeding Hillis, who was named

director laureate. In 1959, the chorus made its first commercial recording, and since then CSO record-

ings featuring the chorus have won 10 Grammy Awards for Best Choral Performance, most recently

for Verdi’s Requiem with Riccardo Muti. These recordings include hallmarks of the choral repertoire,

ranging from Beethoven’s

Missa solemnis

and Bach’s Mass in B Minor to Orff ’s

Carmina Burana

and

two recordings each of Brahms’s

German Requiem

and Verdi’s Requiem. The chorus most recently

recorded Schoenberg’s

Kol Nidre

with the CSO. The CSC made its first appearance at Ravinia in 1960

and has returned for more than 50 seasons since, most recently in 2017 for Haydn’s

The Creation

. The

CSC made its Carnegie Hall debut with the CSO in 1967 under Jean Martinon and returned there for

performances of Verdi’s

Otello

to commemorate Sir Georg Solti’s final concerts as music director in

April 1991, and again in December 2000 for performances of Beethoven’s Symphony No. 9 with Daniel

Barenboim conducting the Staatskapelle Berlin. The chorus most recently returned to Carnegie Hall

to perform Scriabin’s Symphony No. 1 and Prokofiev’s

Alexander Nevsky

under Muti’s baton. The CSC

first toured internationally with the CSO to London and Salzburg in 1989 for performances of Berlioz’s

La damnation de Faust

with Solti conducting. Ten years later, the ensemble won critical acclaim for

its performances of Schoenberg’s

Moses und Aron

and Brahms’s

German Requiem

with the CSO at the

Berlin Festtage. Members of the CSC are frequently featured in education performances with mem-

bers of the CSO, have served as section leaders for the CSO Community Chorale, performed at Day of

Music, and, in collaboration with Chicago Public Schools, have appeared at over 40 CPS high schools,

presenting programs designed to coordinate with the students’ history and literature curricula.

DUAIN WOLFE,

conductor and chorus director

CHERYL FRAZES HILL,

associate director

DON H. HORISBERGER,

associate director

WILLIAM CHIN,

assistant director

The chorus was prepared for this performance by Duain Wolfe and Cheryl Frazes Hill.

Gretchen Adams

Michele Braché Agpalo

Alicia Monastero Akers

Melinda Alberty

Ashley Armstrong

Megan E. Bell

Rebecca Berger

Nicole Besa

Sammi Block

Laura Boguslavsky §

Madison Bolt

Humberto Borboa

Michael Boschert

William Bouvel

Michael Brauer

Evan Bravos

Michael Brown

Terry L. Bucher

Laura Bumgardner

Diane Busko Bryks

Anastasia Cameron

Balmer

Andrea Caruso

Michael Cavalieri

Joan Cinquegrani

Joseph Cloonan

Natalie Conseur

Magaly Cordero

Sandra Cross

Beena David

Angela De Venuto

Claire DiVizio

Hannah Dixon

McConnell

Meredith Taylor Du Bon

Kathryn Duncan

Ashley Eason

Stephen C Edwards

Nora Engonopoulos

Nicholas Falco

Andrew Fisher

Henriët Fourie §

Kirsten Fyr-Searcy

Ace T. Gangoso

Klaus Georg

Jennifer Gingrich

Carl Glick

David Govertsen

Nida Grigalaviciute

Kimberly Gunderson

Kevin Michael Hall

Ashlee Hardgrave

Adam Lance

Hendrickson

Megan Hendrickson

Daniel Julius Henry Jr.

Cameo Humes

Ingrid Israel Mikolajczyk

Carla Janzen

Garrett Johannsen

Kathryn Kamp

Alison Kelly

Robin A. Kessler

Jung Kim

Jess Koehn

Lisa Kotara

Susan Krout

Alexandra Kunath

Mathew Lake

Rosalind Lee

Kristin Lelm

Lee Lichamer *

Sara Litchfield

Amanda Compton

LoPresti *

Suzanne Ma-Ebersole

Megan Magsarili

Bill McMurray

Mark James Meier

Rebecca S. Moan

Stephen Mollica

Keith A. Murphy

Lillian Murphy

Nathan S. Oakes

Máire O’Brien

Sheri Owens

Wha Shin Park

Clarissa Parrish Short

Douglas Peters §

Elvira Ponticelli

Nicholas Pulikowski

Antonio Quaranta

Margaret Quinnette

Julia Rahm

Alyssa Rick

Nicoleta Roman

Brennan Runzo

Kyle Sackett

Sladjana Saric

Cole Seaton *

Joseph Smith

Brandon Sokol

Kevin St. John

Meaghan Stainback

Susan Palmatier Steele

Sean Stanton

Heidi Jo Stirling

Daniel Stromfeld

Andrea Amdahl Taylor

Alan Taylor §

Samantha Thielen

Dane Thomas

Paul W. Thompson

Anna VanDeKerchove

Elizabeth Vaughan

Vince Wallace

Aaron Wardell

Peter Wesoloski

Debra Wilder

Megan Wilhlem

Juan Zapata

*

Section leader

§

Chichester Psalms

soloist

RAVINIA MAGAZINE | JULY 9 – JULY 15, 2018

114