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DUAIN WOLFE,

director

Appointed in 1994 by Daniel Barenboim, Duain

Wolfe took over the directorship of the Chica-

go Symphony Chorus from founding director

Margaret Hillis. Since then he has prepared the

chorus for over 150 programs at Orchestra Hall

and Ravinia combined, additionally directing

choral works at the Aspen Music Festival and

the National Arts Centre in Ottawa. Wolfe has

also prepared the CSC for a number of recorded

works, including the Grammy Award–winning

performances of Verdi’s Requiem led by Riccar-

do Muti in 2010 and Wagner’s

Die Meistersinger

von Nürnberg

conducted by Georg Solti in 1998.

In concert Wolfe has prepared the chorus for

such works as Cherubini’s Requiem, Brahms’s

German Requiem

, Schoenberg’s

Kol Nidre

, Orff ’s

Carmina Burana

, and Verdi’s Requiem,

Otello

,

Macbeth

, and

Falstaff

—all of which were con-

ducted by CSO music director Riccardo Muti—

as well as Haydn’s

The Creation

, Shostakovich’s

Symphony No. 13 (“Babi Yar”), Bach’s

Christmas

Oratorio

and Saint Matthew and Saint John

Passions, Mahler’s Symphonies Nos. 2, 3, and

8, and world-premiere performances of John

Harbison’s Four Psalms and Bernard Rands’s

apókryphos

, both commissioned by the CSO. He

has also prepared the CSC for guest appearanc-

es in performances of Beethoven’s Symphony

No. 9 and Schoenberg’s

Moses und Aron

. Wolfe

is a former chairman of Chorus America, which

recently presented him with its Michael Korn

Founders Award in recognition of his contribu-

tions to the professional choral arts. His activi-

ties have also earned him an honorary doctorate

and numerous awards, including the Bonfils

Stanton Award in the Arts and Humanities, the

Colorado Governor’s Award for Excellence, and

the (Denver) Mayor’s Award for Excellence in an

Artistic Discipline. In addition to his post with

the CSC, Wolfe is the founder-director of the

Colorado Symphony Chorus—as well as found-

er of the Colorado Children’s Chorale, which he

directed for 25 years—and was conductor of the

Central City Opera Festival for 20 years.

CHERYL FRAZES HILL,

associate director

Holding two undergraduate degrees from the

University of Illinois–Urbana-Champaign and

both a master’s degree and a doctorate in con-

ducting from Northwestern University, Cheryl

Frazes Hill is in her 42nd season as a conductor

of Chicago Symphony Chorus and is the newly

appointed director of the Milwaukee Symphony

Chorus. She joined the CSC as a singer in 1976,

then in 1986 was appointed its assistant conduc-

tor by Margaret Hillis, and finally an associate

conductor in 1991, continuing in that capacity

under Duain Wolfe. Frazes Hill has prepared

the chorus for numerous performances under

Maestros Boulez, Barenboim, Conlon, Mehta,

Tilson Thomas, and many others, including for

the albums

Beethoven

(2005),

A Tribute to Dan-

iel Barenboim

(2006), and

Chicago Symphony

Chorus: A 50th Anniversary Celebration

(2008),

as well as for Ravinia’s presentations of Mozart’s

Idomeneo

,

The Magic Flute

,

Don Giovanni

, and

The Marriage of Figaro

. An accomplished vocal-

ist herself, she was a featured soloist on the 1986

Grammy-nominated recording

Mozart, Music

for Basset Horns

. Frazes Hill is currently an asso-

ciate professor at Roosevelt University’s Chicago

College of Performing Arts, a position she has

held since 2001. Under her direction, the Roos-

evelt choruses have appeared at National ACDA

and State IMEA conferences and collaborated

with regional orchestras on such innovative

programs as “Defiant Requiem,” a narrated per-

formance of Verdi’s Requiem detailing the story

of Terezin concentration camp prisoners who

performed the work, and the American pre-

miere of Jacob Ter Velduis’s

Mountaintop

. She

has received numerous awards, including the

University of Chicago’s Outstanding Teaching

Award in 1988, the Governor’s Award in 1993,

and the Northwestern Alumni Merit Award in

1997. Cheryl Frazes Hill is a featured author and

guest editor for the

Choral Journal

and the

Music

Educator’s Journal

and a frequent guest conduc-

tor and speaker throughout the United States.

CHICAGO CHILDREN’S CHOIR

JOSEPHINE LEE,

president and artistic director

Founded as a single choir in Hyde Park at the

height of the civil rights movement in 1956,

today Chicago Children’s Choir serves 4,800

youth who represent all 57 Chicago ZIP codes.

CCC’s mission is to unite youth from diverse

backgrounds to become global citizens through

music. Over the past 61 years, that mission has

grown exponentially with programs in 85 city

schools and 10 neighborhoods, including an

ensemble for boys with changing voices and the

world-renowned Voice of Chicago. Under pres-

ident and artistic director Josephine Lee, CCC

has undertaken many highly successful national

and international tours, most recently to Italy,

Cuba, India, and South Africa. The choir has

also been featured on nationally broadcast tele-

vision and radio performances, including NBC’s

Today

,

Oprah

,

and the PBS series

From the Top:

Live from Carnegie Hall

, and it was featured in

the Chicago/Midwest Emmy Award–winning

documentary

Songs on the Road to Freedom

(2008). CCC regularly collaborates with the

Chicago Symphony Orchestra, Lyric Opera of

Chicago, and Ravinia Festival, and it recently

worked with Chance the Rapper on his Gram-

my Award–winning mixtape

Coloring Book

. Lee

has established CCC as one of Chicago’s premier

cultural institutions, leading the choir at perfor-

mances for such dignitaries as former president

and first lady Barack and Michelle Obama at the

2017 Presidential Farewell Address, as well as the

Dalai Lama Tenzin Gyatso at his 2011 message

in Chicago and Chicago mayor Rahm Emanu-

el at his 2011 inauguration. Her recent projects

include the co-creation of the original world

musical

Sita Ram

with David Kersnar of Look-

ingglass Theatre; an original piano composition,

The Good Goodbyes,

commissioned by Frank

Chaves and River North Dance Chicago; the

development and world premiere of

Long Way

Home

, a fully staged theatrical work with the Q

Brothers; and an original suite for piano and cel-

lo,

Ascension

, commissioned by Ballet Chicago.

JULY 9 – JULY 15, 2018 | RAVINIA MAGAZINE

115